Education:
Ph.D., 1999. Emory University, Graduate Institute of the Liberal Arts.
Dissertation: Inventing Religious Aesthetics: Word/Image/Body/Other in Walter Benjamin and Gary Hill
M.Th., 1995. University of Glasgow, Centre for the Study of Literature and Theology.
Thesis: A Subject Re-viewed: An Aesthetic Construction of the Self in Kierkegaard, Critical Theory, and the Visual Arts
M.A.T.S., 1993. Columbia Theological Seminary, Georgia
Thesis: Religious Images in the Media
B.A., 1990. Seattle Pacific University, Washington
Teaching Experience:
Visiting Associate Professor, 2008 - . Hamilton College, Department of Religious Studies
Associate Professor, 2007 - 2008. Texas Christian University, Department of Religion
Assistant Professor, 2001 - 2007. Texas Christian University, Department of Religion
Visiting Instructor, Summer 2003. Graduate Theological Union, Berkeley
Lecturer, 1999 - 2001. University of Vermont, Department of Religion
Adjunct Faculty, 1996 - July 1999. Atlanta College of Art, Liberal Arts Department
Authored Books:
Blasphemy: Art that Offends (London: Black Dog Publishing, October, 2006).
Walter Benjamin, Religion, and Aesthetics: Rethinking Religion Through the Arts (New York: Routledge, 2004)
Reviewed in: J of Religion and Popular Culture (Summer, '07); Bible and Critical Theory (Feb, '07); Material Religion (Mar, '07); Archives de Sciences Sociales des Religions (Paris, Oct, '06); J of Cultural and Religious Theory (Winter, '06); Reviews in Religion and Theology (Sept, '05); JAAR (Apr, '06); Religion and Society (Dec, '06)
Religion and Film: Cinema and the Re-Creation of the World (London: Wallflower Press, 2008; distributed in US via Columbia University Press)
Edited Books:
The Religion and Film Reader, co-edited with Jolyon Mitchell (London: Routledge, 2007)
Re-Viewing The Passion: Mel Gibson's Film and Its Critics (New York: Palgrave Macmillan, 2004)
Representing Religion in World Cinema: Filmmaking, Mythmaking, Culture Making (New York: Palgrave Macmillan, 2003)
Religion, Art, and Visual Culture: A Cross-Cultural Reader, Edited, and with Introductions (New York: Palgrave Macmillan, 2002)
Religion and Literature: A Reader, co-edited with Robert Detweiler, David Jasper, and Heidi Nordberg (Louisville: Westminster/John Knox Press, 2000)
The Apocalyptic Imagination: Aesthetics and Ethics at the End of the World (Glasgow: Trinity St. Mungo Press, 1999)
Imag(in)ing Otherness: Filmic Visions of Living Together, co-edited with David Jasper (Oxford: Oxford University Press/ AAR-Scholars Press, Cultural Criticism Series, 1999)
Journal Articles:
•"Religious Cinematics: The Immediate Body in the Media of Film," Postscripts 1.2-3 (2006): 257-273
•"Hospitable Vision: Some Notes on the Ethics of Seeing Film," (co-written with Margaret R. Miles) Cross Currents 54.1 (2004): 22-31
•"Aesthetics, An-Aesthetics, and Ethics: A Response to David Jasper's 'Wanderings in the Desert,'" in Literature and Theology, 18.2 (2004): 169-173
•"The Re-creation of the World: Filming Faith," Dialog: A Journal of Theology, 42.2 (2003): 155-160
•"Between Cinema and a Hard Place: Gary Hill's Video Art Between Words and Images," Criticism: A Quarterly for Literature and the Arts, 45.1 (2003): 109-129
•"Seeing Beyond the End of the World in Strange Days and Until the End of the World," (with Tod Linafelt) The Journal of Religion and Film, 7.1 (2003)
•"Seeing the Body of Death: Sacrifice and Giving in Rembrandt's Slaughtered Ox," Soundings, 85.3-4 (2002): 101-124
•"The Gift that Stops Giving: Hélène Cixous and the Shunammite Woman," (with Edna M. Rodríguez) Biblical Interpretation, 7.2 (1999): 113-132
•"Religion/Literature/Film: Toward a Religious Visuality of Film," Literature and Theology, 12.2 (1998): 16-38
•"Obfuscation: Maurice Blanchot's Religious Recitation of Limits," Literature and Theology, 11.3 (1997): 239-253
•"Lacan Looks at Hill and Hears His Name Spoken: An Interpretive Review of Gary Hill through Lacan's 'I's' and Gazes," Postmodern Culture, 6.1 (1996):
•"Building an Hermeneutical House on Shifting Consciousness: Orality, Literacy, Images, and Interpretation," Koinonia, 6.2 (1994): 206-227
Book Chapters:
•"Filmmaking and Worldmaking: Constructing Time and Space in Ritual, Myth, and Film," in Teaching Religion and Film, Greg Watkins, ed. (Oxford: Oxford University Press, 2008; part of the Teaching Religious Studies Series): 219-232
•From Iconoclash to Iconomash," in Re-Enchantment, James Elkins and David Morgan, eds. The Art Seminar, vol. 7 (New York: Routledge, 2008): 209-11
•"Seeing Words, Reading Images: Allegory and Interpretation in Bak and Benjamin," in Representing the Irreparable: The Shoah, the Bible, and the Art of Samuel Bak, Gary Philips, Danna Nolan Fewell, Yvonne Sherwood, eds. (Syracuse: Syracuse University Press, 2008)
•"The Footprints of Film: Religious Film in the US Geography of Faith," in Faith in America, Volume 3, edited by Charles Lippy (Praeger Publishers, 2006): 101-118
•"Answering the Call of Goya's Dog: Seeing with Vision" in The Subjective Eye: Essays in Culture, Religion, and Gender in Honor of Margaret R. Miles (Eugene, OR: Wipf and Stock publishers, 2006): 321-328
•"Ritualising Images: The Frames of Space, Time, and Aesthetics," in Visionary Landscapes: The Films of Nina Danino (London: Black Dog Press, 2005): 8-21
•"El mundo de Infante a través de la simbología universal de las estrellas," in La Casa de Blas Infante en Coria del Río, edited by Alberto Egea (Sevilla: Centro de Estudios Andaluces, 2005): 171-184
•"T/here: Conversing and Traversing Julia Kristeva's writings," in Believing in the Text, David Jasper and George Newlands, eds. (Bern: Peter Lang Publishers, 2004): 25-40
•"Introduction: Reviewing as Remembering," in Re-Viewing the Passion: Mel Gibson's Film and Its Critics, S. Brent Plate, ed. (New York: Palgrave Macmillan, 2004): xi-xviii
•"The State of the Arts and Religion," in Reluctant Partners: Art and Religion in Dialogue (New York: American Bible Society, 2004): 48-66
•"Introduction: Filmmaking, Mythmaking, Culture Making," in Representing Religion in World Cinema, S. Brent Plate, ed. (New York: Palgrave Macmillan, 2003): 1-15
•"Introduction: Images and Imaginings," in Imag(in)ing Otherness, Plate and Jasper, eds. (Oxford: AAR-Oxford University Press, 1999): 3-13
•"When Your Family is Other, and the Other Your Family: Freedom and Obligation in Frank Capra's You Can't Take it With You," (with Pat Caruso) in Imag(in)ing Otherness, Plate and Jasper, eds. (Oxford: AAR-Oxford University Press, 1999): 99-119
•"Introduction: Words and Images, Aesthetics and Ethics," in The Apocalyptic Imagination, Plate, ed. (Glasgow: Trinity St. Mungo Press, 1999): 1-9
•"Religion and World Cinema," in The Continuum Companion to Religion and Film, Bill Blizek, ed. (New York: Continuum, forthcoming)
•"An Aesthetic approach to Religion," in An Introduction to the Study of Religion, Paul Myhre, ed. (Winona, MN: St Marys Press, forthcoming)
Entries, encyclopedia, et al.:
•"Jim Woodson: Temenos in the Desert," in Sacred Landscapes, exhibition catalog for art exhibit at Texas A&M University, Corpus Christi, 2006
•"Film and Religion," (5,000+ word entry) in the Encyclopedia of Religion, Second Edition (New York: Macmillan Press, 2004): 3097-3103
•"Blanchot," in Handbook of Postmodern Biblical Interpretation, A.K.M. Adam, ed. (St. Louis: Chalice Press, 2000): 35-41
•"Abraham," "Adam and Eve," "Aqedah," "Aeon," "Art, Bible in," and numerous other forthcoming entries in the 30-volume Encyclopedia of the Bible and its Reception (Berlin/New York: Walter de Gruyter, 2008-ongoing)
Reviews:
Art Exhibition:
•"Picturing the Bible: The Earliest Christian Art," Kimbell Art Museum, Fort Worth, in Art & Christianity 53 (Spring, 2008): 10
•"12 Escultores finimilenaristas in México," Museo de arte Moderno, México, D.F., in Art Papers, 23.1 (January/February, 1999): 67
Book:
•The Lure of Images, by David Morgan, in Choice (May, 2008)
•Cinematic Savior: Hollywood's Making of the American Christ, by Stephenson Humphries-Brooks, in The Journal of Religion, 87.4 (2007): 657-658
•Review essay of seven volumes on Mel Gibson's The Passion of the Christ, in Christianity and Literature, 56.3 (2007): 535-539
•Film as Religion, by John C. Lyden, in Journal of the American Academy of Religion, 72.3 (2004): 789-792
•The Theory Mess, by Herman Rapaport, in Christianity and Literature, 52.2 (2002): 307-309
•Religion and Culture, by Michel Foucault, edited by Jeremy Carrette, and Foucault and Religion, by Jeremy Carrette, in Literature and Theology, 14.4 (2000): 454-457
•Hiding, by Mark C. Taylor and The Book of Hiding, by Timothy K. Beal, in Mythosphere, 2.3 (2000): 335-338
•Fire and Roses, by Carl Raschke, in Literature and Theology, 11.1 (1997): 117-119
•Picture Theory, by W.J.T. Mitchell, in Mythosphere, 1.1 (1997): 102-105
•Reading Between Texts, by Danna Nolan Fewell, ed., in Literature and Theology, 8.2 (1994): 220-221
Film:
•"There Will be a Nation" (review of There Will be Blood), in Religion Dispatches (4 Feb 2008)
•"Letting Jesus and Buddha Dance Together" (review of Eve and the Fire Horse), in The Revealer (28 October 2007)
•Lost in Translation, in The Journal of Religion and Film, 8.1 (2004)
•Bandits, in The Journal of Religion and Film, 6.1 (2002)
•Dancer in the Dark, in The Journal of Religion and Film, 4.2 (2000)
•Ghost Dog: The Way of the Samurai, in The Journal of Religion and Film, 4.2 (2000)
•Sleepy Hollow, in The Journal of Religion and Film, 4.1 (2000)
•Lovers of the Arctic Circle, in The Journal of Religion and Film, 3.2 (1999)
Awards and Honors:
•Visiting Fellow, Baker-Nord Humanities Center, Case Western Reserve University (Autumn 2006)
•Invited Participant in Wabash Consultation, "Teaching Theology and Art," St Paul, MN, 2006-2007
•Fulbright German Studies Seminar Grant, 2004 (Three week seminar on Visual Culture in Germany, 2004)
•Association for Religion and Intellectual Life, Coolidge Fellowship, 2004 (Residential Fellowship in NYC, July 2004)
•American Academy of Religion Southwest Region Junior Scholar Grant, 2004 (For research in Spain, 2005)
•TCU Research and Creative Funds Grant, 2003 (For research in Spain, Spring 2004)
•American Academy of Religion Individual Research Grant, 1999 (Travel to India and Germany, 2000)
•Emory University Tuition Scholarship and Stipend, 1994-1998
•Columbia Theological Seminary Graduate Fellowship, 1993
•Columbia Theological Seminary Honor Scholarship, 1991
Professional Service:
•Managing Editor and Co-Founder, Material Religion: The Journal of Objects, Art, and Belief (Berg Publishers, Oxford), 2004 -
•Advisory Board, "Religion and Popular Culture" book series, published by Rowman & Littlefield, 2007 -
•Advisory Board, CrossCurrents, 2008 -
•Editorial Board, Postscripts: A Journal of Sacred Texts and Contemporary Worlds (Equinox Publishing), 2004 -
•Advisory Board, International Society for Religion, Literature, and Culture, 2007 -
•Area Editor, "Reception of the Jewish-Christian Tradition in the History of Film," Encyclopedia of the Bible and its Reception (Berlin/New York: Walter de Gruyter), 2004 - 2007
•Contributing Editor, The Revealer: A Daily Review of Religion & the Press
•Chair, AAR task force for the award in Religion and Art, 2006 -
•Co-Chair, "Arts, Literature, and Religion" section of the American Academy of Religion annual meetings, 2001 - 2007
•Organizer, "Religion and Media" workshop, American Academy of Religion annual meetings, 2002 - 2007
•Convenor, Sessions in Religion, Film, and Visual Culture, for the International Society of Religion, Literature, and Culture biennial conferences, 2002 (York) 2004 (Uppsala), 2006 (Stirling), 2008 (Aarhus)
•Film Review Editor, The Journal of Religion and Film, 1999 - 2004
•Associate Editor for North America, Literature and Theology: An International Journal of Religion, Theory, and Culture (Oxford University Press), 1999 - 2003
•Chair, "Arts, Literature, and Religion" section of the Southwest regional American Academy of Religion, 2001 - 2003
•Chair, "Arts, Literature, and Religion" section of the Southeast regional American Academy of Religion, 1998 - 2000
•Development Officer, University of Glasgow, Centre for the Study of Literature, Theology, and the Arts, January - December 1997
•Director, International Summer School in Religion and the Arts, University of Glasgow, 1997
Other publications:
•"The Altar and the Screen," at the Religion and Culture Web Forum, Martin Marty Center, University of Chicago, June 2008
•"Madonna on the Cross, Again," in The Revealer, 26 Nov 2006
•"Watching Jesus Films for Lent," in The Revealer, 12 April 2006
•"Islam IS the West: Why the 'Clash of Civilizations' is the wrong way to approach the Cartoon Controversy," in The Revealer, 20 February 2006
•"Chronicling C.S. Lewis: Marketing and Mythology," in The Revealer, 01 January, 2006
•"In the Footsteps of Rocky," in The Revealer, 2 October 2005
•"Bringing Ideas About Life and Death to the Classroom," in The Chronicle of Higher Education, 7 March 2003
•"Images have power over us, but why?" in The Dallas Morning News, July 20 2002
•"Beyond the Modern Symbolic Human?" in the Fort Worth Star Telegram, April 1 2002
•"From Salamalecun Malecunsala to Amen: Seeing Syncretism in Cuba," (with Edna M. Rodríguez-Mangual) photo essay in Religious Studies News, March 2002
Interviews/Radio Shows/Etc.:
•Radio show guest: KOA (Denver news/talk radio) with Rick Barber, 18 June 2007
•Radio show guest: KERA (Dallas public radio) "Think" with Krys Boyd, 8 March, 2007. Podcast at: http://www.podcastdirectory.com/podshows/1207917
•Radio show guest: WILL (Urbana/Champaign public radio) "Focus 580" with David Inge, 25 January, 2007. Podcast at: http://www.will.uiuc.edu/media/focus070125b.mp3
•Video interview: Case Western Reserve University, Baker-Nord Center for the Humanities with Timothy K. Beal, 16 November, 2006. Video cast at: http://tv.case.edu/actions/tv/tv?play=true&id=6226&filter=talking
•Paper Clip Audio call-in show on "Student Death: Being Prepared, Being Compassionate," 19 July 2005
•"In the Beginning There Was the Image," interview by John Carney, in The Door Magazine, January/February, 2003
Selected Conference Presentations:
•"Eventual Blasphemies," at "Gestures - Religion qua Performance," part of the "Future of the Religious Past" conferences, University of Utrecht, 2008
•"The Skin of Religion," at University of Southern California, Visualizing Religion Seminar, 2008
•"The Skin of Religion," at University of Kentucky, "Ways of Seeing in the Ancient World" conference, 2008
•The Altar and the Screen: Filmmaking and Worldmaking," Cal State - Los Angeles/Claremont Graduate University symposium, "Religion in Los Angeles, Religion in the Americas, Religion in the Era of Globalization," 2008
•"Religion, Theology, and the Arts," respondent to two sessions on the topic, American Academy of Religion annual meeting, San Diego 2007
•"Theology and Film Reconsidered," panelist at the American Academy of Religion annual meeting, San Diego, 2007
•"Falling Man," Visual Ethics Symposium, Case Western Reserve University, 2007
•"Framing Erin Runions' How Hysterical," Society of Biblical Literature, Washington, DC, 2006
•"Footprints of Film," Society for Cinema and Media Studies, Vancouver, 2006
•"Cinema Going as Religious Practice?" panelist at the American Academy of Religion annual meeting, Philadelphia, 2005
•"The Footprints of Film: Afterimages of Religion in U.S. Space and Time," presentation at workshop "Mediating Religion and Film in a Post-Secular World," University of Amsterdam, 2005
•"La Casa Blas Infante and Andalucian National Identity," Society for the Anthropology of Religion conference, Vancouver, 2005
•"After The Passion Is Gone: What Gibson's Film Tells Us about Religion in America," panelist at the American Academy of Religion annual meeting, San Antonio, 2004
•"The Sensus Communis: Walter Benjamin's Religious Aesthetics as a Ground for Gathering," American Bible Society symposium on "Art and the Formation of Religious Communities," New York, 2004
•"Publishing in Religion and Film," panelist at the American Academy of Religion annual meeting, Atlanta, 2003. Online stream at: http://www.unomaha.edu/jrf/vol10no1/AAR.htm
•"New Directions in the Study of Art and Religion," respondent at the American Academy of Religion annual meeting, Atlanta, 2003
•"The Ethics of Editing: On Watching and Not Watching Images from September 11," Religion and Media Workshop at the American Academy of Religion annual meeting, Toronto, 2002
•"Visual Culture Studies Meets Religion and the Arts: Some New Movements in the Interdiscipline," Southwest Regional American Academy of Religion, Dallas, 2002
•"Walking the Celestial City: The City of God from the Ground Up," Society for the Anthropology of Religion, Cleveland, 2002
•"Speaking Otherwise: Walter Benjamin's Allegory," International Conference on Religion and Literature, University of Nijmegen, the Netherlands, 2000
•"Now Write What You See: Describing and Depicting the End of the World," Eastern International Region-American Academy of Religion, Syracuse New York, 2000
•"Building Zakhor: The Place of Memory in Daniel Libeskind's Jewish Museum, Berlin," Arts, Literature, and Religion section of the AAR National Meeting, Boston, 1999
•"Fragmenting Goya's Dog: Impossible Descriptions of an Impossible Depiction," Arts, Literature and Religion section of the AAR National Meeting, Orlando, 1998
•"The Gift that Quits Giving: Hélène Cixous and the Shunammite Woman," (with Edna Rodríguez) Reading, Theory and the Bible section of the SBL National Meeting, New Orleans, 1996
•"Apocalypse Now and Then: Living Beyond the End of the World," (with Tod Linafelt) Arts, Literature and Religion section of the AAR National Meeting, New Orleans, 1996
•"An Image in Light of the Other: Words, Images and Bodies in Gary Hill's Video Art," International conference on Literature and Theology, Oxford, England, 1996
•"Angels in the Midst: Images of In-Between in Wim Wenders' Films," (with David Nienhuis) Arts, Literature, and Religion section of the Southeast regional AAR, Charlotte, North Carolina, 1996
•"The Sacrifice of Self: The Subject of Rembrandt's Slaughtered Ox," Arts, Literature, and Religion section of the AAR national meeting, Philadelphia, 1995
•"Masculinity on Screen: Beyond Brando and Eastwood," Southern Humanities Council conference, Jackson, Mississippi, 1995
•"Shifting Consciousness: Orality, Literacy, Images, and Interpretation," American Biblical Hermeneutics section of the Southeast regional AAR, Charleston, SC, 1993
Invited Public Lectures:
•"Screening Violence from Beyond the US Border," presentation at University of Illinois, Urbana-Champaign, 2007
•"Blasphemous Images, Secular Media," presentation at Case Western Reserve University, 2006
•"Re-Creating the World on Film," presentation at the Chautauqua Institution, New York, 2005
•"Anselm Kiefer and Jewish Mysticism," presentation at the Modern Art Museum, Fort Worth, 2005
•"The Footprints of Film: Afterimages of Religion in U.S. Space and Time," presentation at Mt Holyoke College, 2005 and Emory University 2006.
•"Islamic Ornamentation and Its Afterlife in Modern Europe and Beyond," presentation at the Kimbell Art Museum, Fort Worth, 2005
•"The State of the Arts and Religion," at the University of Iowa, Department of Religion, 2003
•"Religious Practice and Visual Culture," at the University of Glasgow, Department of Theology and Religious Studies, 2003
•"Seeing and Believing: Putting the Arts into Religious Practice," at the Kimbell Museum of Art, Fort Worth, 2002
•"Building Memory in Berlin: Daniel Libeskind's Jewish Museum," at the Modern Art Museum of Fort Worth, 2002
•"Cinematic Rituals in the Classroom," Plenary speaker for Pedagogy Workshop, "Using the Arts in the General Education Curriculum," at Roanoke College, Virginia, 2001
•"Religious Visuality: Seeing Around the World," India International Centre, Delhi, India, 2000
•"Benjamin's Working Art," University of Delhi, India, 2000
•"Fictual Factions: Documentary Film in Cuba," Light and Image: Film in the Hispanic World-7th Annual Hispanic Forum, University of Vermont, 2000
•"The Pictorial Turn of Language," A Symposium on Religion, Literature, and the Arts, Baker-Nord Humanities Center/Department of Religion, Case Western Reserve University, Cleveland, 2000
•"Seeing AND Believing: The Role of Vision in the World's Religions," Agnes Scott College, Atlanta, 1999
•"Religion, Art, and the Question of Silence," Glasgow School of Art, 1997
•"Images of Sacrifice in the Visual Arts: Rembrandt, Bacon, and Film," University of Alabama, Department of Religious Studies, 1996
Affiliations and Memberships:
•American Academy of Religion
•College Art Association
•Society for Cinema and Media Studies
•Society for the Anthropology of Religion
•Association for Jewish Studies
•Council for Editors of Learned Journals
•Society of Authors
In the Media:
-"Love Guru stereotype upsets Hindu activists," Cleveland Plain Dealer, David Briggs (19 June 2008); reprinted in USA Today (23 June), and other places
-Interview with Claire Hoffman in Washington Post blog "Under God" (about There Will be Blood; Feb 2008)
-"The Best Christmas Movies," Anniston (TX) Star, Brett Buckner (23 Dec 2007)
-"Fraggin' and Fellowship," (on video games), Tuscaloosa News, Sarah Jones (28 Oct 2007)
-"Sinead Alights with 'Theology,'" USA Today, Kimberly Winston (18 June 2007); Reprinted multiple times
-"One person’s art: Different religions express various degrees of openness to images," Kansas City Star, Helen T. Gray (8 June 2007); reprinted multiple times
-"Bigger than Golf Hobby is Huge," (on scrapbooking), Fredericksburg, VA The Free Lance-Star, Kim Baer (6 March 2007)
-"Faith Groups Offset Film with PR Crusade," PR Week, Randi Schmelzer (6 March 2006)
-"Religion at the Movies," Religion & Ethics Newsweekly online companion, Chris Herlinger (3 March 2006)
-"Jesus by any other shade," Beaumont Enterprise, Sherry Koonce (28 January 2006); reprinted multiple times
-"Disney taps niche markets for Narnia promotion," Reuters News Service, Gina Keating (2 Dec 2005); picked up by press around the world
-"Pastors lead flocks through the wardrobe: Churches and Disney see Narnia as a land of opportunity," Houston Chronicle, Barbara Karkabi and Louis B. Parks (5 Dec 2005)
-"In 'Narnia,' Tycoon Seeks Blockbuster With a Message," Los Angeles Times, Claudia Eller (Front page story, 5 Dec 2005); Reprinted in Chicago Tribune and other papers
-"A Religious Revival in a City of Secular Art," Christian Science Monitor, Carol Strickland (27 May 2005)
-"Apparitions: Reality or Perception?" Valley Morning Star, Harlingen, TX, Melissa McEver (11 Apr 2005)
-"Will a recut Passion still stir debate?" Houston Chronicle, Jeannie Kever (14 March 2005)
-"(Don't) Give Me that Old-Time Religion," Chronicle of Higher Education, Don Troop (19 Nov 2004)
-"Did The Passion Fulfill Its Promise?" Beliefnet.com, Kimberly Winston (Sept 2004) {Article was the winner of the 2005 AAR Award for Best In-Depth Coverage of Religion}
-"Proponents say film 'powerful,' and can't be watched passively," Houston Chronicle, Richard Vara (27 August 2004)
-"Faith Woven Through Canvas of 'Rembrandt's Journey,'" Chicago Tribune, Manya A Brachear (29 April 2004)
-"Symbols and..." Kansas City Star, Helen Gray (10 Apr 2004). Reprinted in: Salt Lake City Tribune, et al.
-Channel 11 TV (on Gibson's The Passion), Dallas, ABC News (30 Mar 2004)
-"Popular Demand," Daily Times, Kerrville, TX, Melissa McEver (9 Apr 2004)
-"Don't Let 'Passion' Violence Come as Surprise," Hampton, VA Daily Press (24 Feb 2004)
-"Fanning the Passion," Beliefnet.com, Laura Sheahen (27 Jan 2004)
-"Binding Faith: Scrapbooks," Dallas Morning News, Kimberly Winston (15 Mar 2004)
-"The Osgood File," Charles Osgood (on scrapbooking as ritual) (24 Dec 2003)
-"Looking for Leaves," Fort Worth Star-Telegram, Chris Kelly (23 Sep 2003)
-"Churches Strive for Cohesiveness with Festival," Bryan-College Station, TX Eagle, Kelli Levey (29 Apr 2003)
-"Let there be Light," Raleigh, NC, News & Observer, Bridgette Lacy (7 Dec 2001); Reprinted multiple times.
-"The Usual Suspects," Boston Globe, Michael Paulson (25 Nov 2001)
-"Show me the Message!" Indianapolis Star News, Judith Cebula (24 Feb 2001)
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